Meet the student composers
Polly Vaillant ’23
Vaillant wrote her award-winning song last fall, as part of her senior project, an album entitled Songs in the Key of E(xeter). A conversation with a classmate in her English class captured how she was feeling. “I asked how he was and he said: ‘I’m not here. My mind is on an airplane,’ and I so felt that,” she says. “It perfectly captured the ambivalence of the COVID-19 pandemic, the apprehension of graduating and a lot of stuff coming together.” She wrote the song and submitted it to the composition competition.
This isn’t Vaillant’s first musical honor: last winter she was a finalist in the voice/singer/songwriter category at National YoungArts Week, a program of the National Foundation for the Advancement of Artists.
Trained in classical voice performance and a voice student of Johnson’s, Vaillant is inspired by singer-song-writers like Leonard Cohen, Joni Mitchell and Gregory Alan Isakov. She will continue her vocal performance studies at Vanderbilt University this fall.
Albert Lu ’26
Lu’s intense classical composition, “A Turbulent Festival,” is a three-part musical response to the pandemic. Incorporating elements of Gamelan, an indigenous rhythm music from Indonesia that intrigues Lu, the piece was performed onstage during the competition by an ensemble of Exeter musicians.
Lu has played cello and classical piano since he was 4 and started composing music in middle school, using an electronic MIDI keyboard. “I started small, with basic piano pieces,” he says. Writing notated music for multiple instruments was challenging. “When I’m writing for one instrument, I don’t have to consider its interaction with other instruments because I know how it’ll sound,” he says. “But two instruments have different timbres and, when they interact with each other, the sounds may collide. I really have to write it all at once and not write for each instrument.”
The competition was Lu’s first experience working with musicians who were playing his compositions.
“Albert’s piece is amazing and very difficult to perform,” Schultz says. “You can use software to notate scores and it will play back the music for you, which makes it easy for a composer to write because the software can play anything. But a young composer has to learn how to take their musical ideas and fashion them in a way that humans can play.” Lu isn’t deterred. He’s looking forward to next year’s competition.
Vi Matheos ’24
Matheos’ hyperpop-inspired “Or Not To” was a kinetic blast on stage; Schultz played the electronic composition on a laptop while Matheos sang vocals. The composition incorporates a two-note melody inspired by phrasing found in Johann Sebastian Bach’s music. Matheos says, “I was wondering what it would sound like to write the opposite vibe to Bach, something hyperpop-based on a simple, condensed phrase.”
Matheos, who also entered an untitled composition in the songwriting category, enjoys the creative process and has composed and recorded music since middle school. Trained in classical piano and violin, and a keyboardist for the Exeter student band Dork u$ Buxter, Matheos has a diverse performance repertoire that includes jazz, pop, rock and hyperpop.
“I write the type of music I listen to, depending on what I like at the time,” says Matheos, who has been experimenting recently with sound design and production. “You have to be aware of the harmonies going into the song and you control it. … And you have to be aware of the melody so you can create them with the singer and be aware of the complexities of the song. It’s a full immersive experience.”
Matheos, who dreams of becoming a touring musician, is grateful for the opportunities the Music Department offers, saying, “It feels like the depart-ment is doing what they can to improve our journeys as musicians.”