Phillips Exeter Academy

Aaronian to be honored with 2023 Founders' Day Award

General Alumni Association President, Trustee and Awards Committee Chair Betsy Fleming ’86 has announced the selection of Richard S. Aaronian ’76, ’78, ’97 (Hon.); P’94, P’97 as this year’s recipient of the Founders’ Day Award.

Conceived by Principal Stephen G. Kurtz and established by the Trustees in 1976, the Founders’ Day Award is given annually by the GAA in recognition of exceptional service to the Academy. The legendary Hammy Bissell ’29 was given the first Founders’ Day Award, and an Academy who’s who has followed.

Aaronian joined the faculty in 1971 as an instructor in science. Named the Harlan Page Amen Professor of Science in 1999, he is credited with introducing ornithology and marine biology into Exeter’s science curriculum, along with a place-based field trip program. He has led educational travel programs for students and alumni in locations as far flung as Costa Rica and Plum Island, Massachusetts.

In addition to serving as dorm head for three dorms — Amen and Bancroft halls and Williams House — Aaronian coached boys JV hockey for 26 years and served as an assistant coach for JV baseball for 17 years. He was a member of numerous major committees and was Chair of the Science Department from 1991 to 1995.

When he retired in 2020, Aaronian was the Exeter faculty’s longest-serving member, having logged 49 years of devoted service. His exceptional teaching has also been recognized with the Rupert Radford Faculty Fellowship Award, the Brown Family Faculty Award and the George S. Heyer Award.

Aaronian will receive the Founders’ Day Award and speak during assembly May 19.

Reading Rita Dove

“Today we’re starting to grapple with Rita Dove,” says Duncan Holcomb, instructor in English, on a recent Friday morning in Phillips Hall. Immediately, the chatter around the Harkness table in Holcomb’s English 420 class quiets down, as the students turn to excerpts from the award-winning poet’s latest work, Playlist for the Apocalypse.

On Wednesday, Dove will give a reading in Assembly Hall as part of the Lamont Poetry Series. She is the latest in a long line of distinguished poets invited to Exeter’s campus to give readings and attend English classes thanks to the support of the Lamont Fund, established in 1982 by Corliss Lamont, Class of 1920, and Jacquelyn Thomas, former Academy Librarian.

Even among these distinguished ranks, Dove’s achievements as a poet, novelist, essayist, playwright and educator stand out. In addition to winning the Pulitzer Prize for Poetry in 1987 for Thomas and Beulah, she served as U.S. poet laureate from 1993 to 1995. A longtime creative writing professor at the University of Virginia, she is the first poet to receive both the National Humanities Medal and the National Medal of Arts, and more recently won the 2022 Rebekah Johnson Bobbitt National Prize for Poetry, an award for lifetime achievement from the Library of Congress.

Holcomb is one of several English instructors reading Dove’s work with his students in anticipation of her visit. During this particular class meeting, he asks the students to talk amongst themselves about which of the assigned poems they’d most like to discuss. The students’ overlapping voices fill the room again, as they point out favorite passages to each other and ask questions about perspective and theme.

The first poem they choose to discuss, “Woman, Aflame,” is one of a series that Dove originally wrote for A Standing Witness, an operatic song cycle composed by Richard Danielpour that bears witness to the past five decades of U.S. history. Subtitled “Fifth Testimony: Roe v. Wade,” the poem begins:

“She was a mother. She was a girl who dreamed of becoming

a mother someday. She was either a tease or a tramp, a lover

or a wife — still she had to do the counting…”

“I think the line breaks are pretty interesting,” says Michael Goodall ’24. “Like the first line: ‘She was a girl who dreamed of becoming,’ and then the next line skips to ‘a mother someday.’ I feel like this shows the lack of opportunity, and how this optimism is kind of simmered down with other factors.” 

“One thing that stood out to me is at first you would think this is all talking about one woman,” Aliyana Koch-Manzur ’24 responds. “But I think it’s kind of encompassing many women’s experiences… . By using one pronoun to describe all women, it’s saying that this is something all woman could be affected by.”

The next poem, “Declaration of Interdependence,” contains two alternating narrative voices, and Holcomb asks two students to read the poem aloud together. The students quickly identify the two voices — one belonging to a Jewish person, the other to a Black person — and discuss how the poem deals with some of the stereotypes that are often applied to each.

“What is the ‘interdependence’ in the title?” Holcomb asks. “It’s the opposite of independence, right?”

“It’s to show how both these groups have similarities in their mistreatment,” says Nafees Abdullah ’24. “Fight’s not the right word, but it’s the one that comes to mind — why fight over that when you can come together and support each other?”

“I wonder if, like the Declaration of Independence is a way for America to have freedom from the British, this declaration of interdependence through unity of minority groups is finding freedom from these stereotypes,” says Corinne Wingate ’24. “They’re not seen as having those commonalities, but by asserting how similar they are, it’s like having freedom as a wider group.”

The group concludes by briefly discussing a third poem, “From the Sidelines,” before the class period ends. “We can come back to that,” Holcomb says. “Make sure to schedule your conferences with me by Wednesday — which is when Rita Dove gets here.”

In addition to her reading and book signing at 7:30 p.m. Wednesday, Dove will hold a Q&A in the Assembly Hall the following day

Independent study inspires seniors through winter term

Every Exeter student appreciates how the Harkness approach emphasizes learning through discussion and collaboration. But every once in a while, you just want to go it alone.

Senior projects allow students in their final year of study to explore a topic of their choice, working largely independently with guidance from a faculty-mentor. The program allows Exeter students to study areas of interest that fall outside traditional course descriptions and develop their own curriculum.

This winter, five members of the class of 2023 took advantage of the opportunity to dig into projects in the arts and sciences:

Alysha Lai, “The Plane Play: An Audience Interactive Comedy”

In The Plane Play, written and directed by Alysha, the audience chooses a flight and journey for each performance. The passengers on the flight are a collection of characters: a scared lady, a young couple, a criminal (or two), etc. Every performance is a staged reading and has the potential for a different ending.

Rodrigo Spinola e Castro, “Building a Magnetometer for Space Weather Studies”

In this project, Rodrigo built a magnetometer to measure changes in the local magnetic field caused by solar phenomena.

Eric Zhang, “Exploring the Effectiveness of Basic Genetic Experiments for Learning”
Eric spent the term working to create a 90-minute genetic curriculum where students learned about basic techniques and concepts like DNA extraction and the structure of DNA.

Chloe Becker, “Away”

Chloe’s presentation shares three songs from her album “Away”, which tells the story of an astronaut who crashes into a planet that seems to appear out of nowhere when traveling through space. The full album will be performed live in spring term.

Aisha Janus, “Fragrance: Consumer Preference and Formulation”

Aisha has worked on the analysis of perfume notes and ingredients in order to find those with a correlation to a perfume’s success with American consumers. My project culminates with a formulation of such an optimal perfume.

Exeter swimmers set records at Easterns

Exeter swimming delivered quite a performance at the Eastern Interscholastic Swimming & Diving Championships at Franklin & Marshall College in Lancaster, Pennsylvania, this past weekend. Big Red girls claimed fifth place overall and the boys finished sixth, while Exeter’s combined score of 777 points placed them fourth overall against some of the top competition from around the country.

“Easterns is the premier prep school meet in the country,” said girls head coach Nicole Benson. “This is a great way to kick off our championship season and provide opportunities to our swimmers to compete amongst the best.”

“The energy at Easterns always bring out the best in our swimmers, and the entire experience brings us closer as a team,” continued boys head coach Don Mills. “The meet was full of exceptional swims from all of our athletes.”

Big Red got to work re-setting the record books immediately on the first day of competition. Mena Boardman ’26, Audrey Zhang ‘24, Brianna Cong ’25 and Sophie Phelps ’25 teamed up to post a school record while earning All-American status in the 200 medley relay with a time of 1:43.66.

Boardman then went on to claim first overall in the 50 freestyle, posting a school record and earning All-American status in the process with a time of 22.94.

Brianna Cong made a splash and finished second overall in the 100 butterfly with a time of 55.02.
On the boys side, Ethan Guo ‘25, Henry Liu ‘23, Lang Gou ‘25 and Rudd Day ‘25 placed fifth in the medley relay with an All-American time of 1:32.62 before Andrew Van De Water ‘23, Zach Quitkin ‘23, Michael Yang ‘24 and Patrick McCann ‘23 took fifth place in the 200 free relay with a time of 1:28.15.

Guo earned a seventh-place finish in the 200 freestyle with a time of 1:42.16, while Day swam to an eighth-place finish in the 50 free with a time of 21.55. Gou wrapped up day one with a seventh-place swim in the 100 butterfly with a time of 50.71.

Day 2 of competition was much of the same as Boardman kicked off the day with a school record swim and third-place finish in the 100 freestyle with a time of 50.42.

Sophie Phelps followed by breaking her own school record in the 500 freestyle when she touched the wall at 4:58.61, claiming fourth place overall. Cong also broke one of her own school records in the 100 backstroke with a time of 55.84, good enough for fifth place.

The girls wrapped up the competition with one more record-breaking performance as Phelps, Cong, Zhang and Boardman teamed up to set a school mark in the 400 freestyle, claiming second place with a time of 3:27.59.

Guo led the efforts on the boys side on Day 2, winning the 100 backstroke with a time of 49.75. Henry Liu added a second-place finish in the 100 breaststroke, coming in at 55.53.

Big Red has two big meets left on their 2022-23 campaign as they will travel to battle Andover on Feb. 22 before competing at the New England Championships on March 4-5.

College admissions process melds art and science

 

Hundreds of Exeter parents walked in the shoes of college admissions officers over the weekend to learn about the art and the science of choosing an incoming class.

The mock admissions workshops, in which parents and admissions professionals meet, discuss and ultimately choose from among three imagined candidates, were part of the College Admissions Weekend program. The event, hosted annually by Exeter’s College Counseling Office for parents of 11th-graders, offers a peek behind the curtain at what goes into those decisions and shares critical knowledge to make the admissions process as painless as possible.

A highlight of the weekend was the keynote address by Dr. Anthony Jack, an assistant professor of education at the Harvard Graduate School of Education who has researched how class and culture shape how undergraduates navigate college. Jack’s book The Privileged Poor: How Elite Colleges Are Failing Disadvantaged Students, digs into the stratification of lower-income students: Those he calls the “privileged poor,” who matriculate from boarding and private schools, and the “doubly disadvantaged,” those who arrive at college from local, typically distressed public schools.

Jack notes how elite American universities take pride in enrolling an increasing number of students of color and more students from low-income families, but many among those number are the “privileged poor,” hailing from elite secondary institutions. Those students already are familiar with the culture of private schools and know how to take advantage of the resources and the systems of support available to them. Meanwhile, those who go straight to selective colleges from “forgotten neighborhoods and neglected schools” don’t take advantage of the resources because they have never benefitted from them. That, in turn, puts them at a distinct disadvantage to thrive.

Jack’s research shows that although first generation and lower-income students make up roughly 50% of the students at four-year schools, just 14 percent of undergraduates at the most competitive colleges come from the bottom half of income distribution. Thirty-eight U.S. colleges — those considered among the most selective in the country — have more students in the richest 1 percent of the population than the bottom 60 percent, he notes.

The mock admissions workshops on Saturday morning deployed 11 college admissions officers from schools such as Dartmouth, Princeton and Carnegie Mellon to lead Harkness discussions about potential “candidates.” Each of the three fictional student profiles told a story of an exceptional student with good grades, a variety of extra-curricular interests and strong recommendations from their instructors and advisers.

The parents at each table had to come to a consensus on one student to enroll, one student to put on a waitlist and one student to turn down. Those hard decisions exemplify what college admissions officers face each spring while considering thousands of applicants for placement.

Exeter star shines at historic Millrose Games

For the second time in four years, the most prestigious indoor track event in the nation featured an Exonian. Byron Grevious ’24 finished in sixth place in the high school boys one mile at the 115th running of the Millrose Games in New York City last weekend.

Grevious kept pace with a field of the top mile runners from around the country to finish in a time of 4:12.95. Grevious, who has made a substantial mark at the national level through his blazing times in cross country, indoor and outdoor track, follows in the footsteps of Will Coogan ’20. Coogan, currently running at the University of North Carolina, competed in the one mile at Millrose in 2020.

Grevious has earned the distinction of being one of the best high school runners in the country, competing at indoor nationals and outdoor nationals as a 10th grader before reaching new heights this year as an upper. The Southport, Connecticut, native wrapped up a cross country season by finishing second overall at the Nike Northeast Regional before claiming 12th overall at Nike Cross Country Nationals.

“My mentality changed sophomore year,” said Grevious, regarding his mindset heading into big races. “Nerves definitely used to be there leading up to the race and at the starting line. Now I get excited to see what I can do. Having the opportunity to run with such high class runners has made me more excited than nervous. I get excited to compete.”

The success he experienced in the fall has carried into winter. In just his second weekend of racing this winter season, Grevious shattered his own school record in the 3,000 meter with a time of 8:15.10 — good enough to be the fastest time by an 11th grader in the country this season. He also was a part of a school record in the distance medley relay, ran a personal best 4:14.11 one mile, and has qualified for indoor nationals in the one mile, two mile, and 5,000 meters.

“Leading up to races, I’ll sometimes go through my training log,” he said of his preparation tactics. “I tell myself I know what I can run, I’ve done these workouts, I was hitting these reps at this pace and I felt good.”

“Byron embodies a wonderful mix of steadfast focus to detail and dedication to getting the work done over a long period of time,” said head track and field coach Hilary Hall. “This is not a work for a few weeks and then take a break kind of athlete. He knows that it takes consistent, persistent work over months and years to get results and he is willing to put in that effort.”

“Byron is the whole package,” said distance and head boys cross country coach Brandon Newbould. “He is a respectable student-athlete who is well-suited to the academic rigor of the Academy and he enjoys racing and is excited about the opportunity to face America’s best.”  

The Millrose Games annually feature top runners from the around the world, including past, present and future Olympians. The high school mile field included 13 of the top milers from around the nation. Grevious wasone of just two runners from class of 2024 and one of two from the New England region.

At your service: ESSO embodies non sibi

Students fill the hallways of the Cooperative Middle School just after 2 p.m. on a recent Wednesday afternoon. As hundreds of sixth, seventh and eighth graders check their lockers and headed for the exits, six members of the Exeter Student Service Organization group Girls Who Code make their way through the noisy crowd to a second-floor classroom. A cohort of middle school girls soon joins them, choosing seats at a large rectangular table in the middle of the room. They flip open their laptops, ready for another course in the basics of the programming language Python.

Like all of the more than 50 student-run clubs under the ESSO umbrella, Girls Who Code is a free service program offered by Exeter students to members of the local community. Since 1967, ESSO has built on the Academy’s founding principle of non sibi, or “not for oneself,” by sending students out into the community to serve as volunteers. “ESSO presents Exonians with an opportunity to get involved in the society in which they live,” a co-director of the organization told The Exonian in 1968.

The Girls Who Code group is affiliated with the international nonprofit of the same name, which aims to help close the longstanding gender gap in programming and other technology fields. After meeting online only during the earlier phase of the pandemic, the group returned to in-person meetings this fall, beginning with smaller gatherings at a local library.

This is only their second meeting at the middle school, located about 10 minutes from Exeter’s campus in the neighboring town of Stratham, and the group is still getting to know each other. They do a round of introductions (name, hometown, favorite ice cream flavor) and a review of what they did last session (making sentences with variables) before club co-head Joey Dong ’23 kicks things off in earnest.

“Could we maybe do a little exercise? Can you guys make a variable that stores how much money you have…and then make a print statement that says ‘I have however many dollars in my bank account’?”

As their students turn to their screens, the Exonians move around the room, offering help. Between exercises, they take turns explaining the concepts behind each one. Dong, who has been involved with Girls Who Code since the summer after her prep year, created the curriculum they’re using for a non-profit she co-founded, The Dream AI, which focuses on teaching machine learning algorithms.

Pranavi Vedula ’25 goes over the three forms of data in Python: strings, numbers and Booleans. “[Boolean] is really just a fancy way of saying true or false,” she explains. “You can set certain conditions to be true or false, then execute your code to happen based on that outcome.”

A day student from Brentwood, New Hampshire, Vedula has now experienced Girls Who Code from both perspectives, having learned from Dong and others when she was a student at the Cooperative Middle School herself. “I tried doing a little bit of coding here and there when I was younger, but it didn’t ever click and I didn’t enjoy it until after Girls Who Code,” she says. “The mentors made me feel seen, and it was the first time I felt seen for who I was. I didn’t feel overpowered, and I didn’t feel stupid.”

Now that she’s a student at the Academy herself, Vedula enjoys paying it forward by teaching coding to younger students. “Being a female in a STEM field is difficult because it’s a very male dominated field,” she says. “Having that space to connect with other female students is really valuable.”

The middle schoolers in the class agree. “[Boys] are chaos,” one sixth grader puts it succinctly. “It’s a lot harder to learn with the noise, the funny jokes, stuff like that,” another adds.

By the time class ends, the students have written code that subtracts money from their bank accounts to “buy” an array of things, from $10 cookies to UFOs for a Martian voyage, and started programming an input function that asked people their favorite ice cream flavor. They’ve also polished off a couple of bags of cookies — with some assistance from their Exonian teachers.

“Technology is such an influential field right now, [and] we can’t just have the people behind technology be male-dominated, because that’s going to be carried through in the products and in technology itself,” Dong says of her dedication to the Girls Who Code mission. “We want technology to be fair to everybody.”

Exeter Deconstructed: The Red Bandits

Wanted: Exeter students. The noisier, the better. Must have school spirit and no aversion to face paint. Lots of red clothing is a plus. Kilts provided.

Exonians with the requisite qualities have been answering this call for decades, serving collectively as the accelerant on the Exeter-Andover fire in their role as Red Bandits. Each time the E/A games roll around, the Bandits rile the crowds and let all within earshot know that “WE ARE E-X-E-T-E-R!”

The Academy officially recognizes the Bandits today, and they are chosen by Student Activities from a pool of applicants. But their origins are less formalized and somewhat murky. A 1988 story about a pre-E/A assembly in The Exonian tells of “not-so-traditional cheerleaders showing their stuff.” Six years later, The Exonian reported “the idea of having Red Bandits started when a nonathletic, somewhat … angry group of guys got together for the purpose of adding more spirit to Exeter.”

Lack of school spirit is a time-honored lament at Exeter. Newspaper editorials dating to the 1890s bemoan a shortage of support for Exeter teams. “It should be unnecessary to again call attention to what is nothing more than a lack of school spirit,” the editors wrote in 1895.

Last fall, with the advent of a pep band and a student fan section called The Big Red Zone, many Exeter varsity teams enjoyed vocal support. And when E/A arrived in November, the Red Bandits were in Andover, the noisiest of them all.

Editor’s note: The article first appeared in the winter 2023 issue of The Exeter Bulletin.

Harkness in Hollywood

Cartoon drawing of Christina Kim and Janet Yang in front of the Hollywood sign

Janet Yang ’74 entered the ranks of Hollywood’s power players in the 1980s, when she brokered the first sales of American studio films to the Chinese market. She confirmed her star status by producing The Joy Luck Club (1993) — the groundbreaking adaptation of Amy Tan’s best-selling novel — and a multitude of other acclaimed films, from The People vs. Larry Flynt (1996) to Over the Moon (2020). In 2022, she was elected president of the Academy of Motion Picture Arts and Sciences. Yang is the first Asian person, and only the fourth woman, to hold that position in the academy’s 95-year history.

We recently invited her to sit down for a conversation with fellow alumna Christina Kim ’95, an award-winning TV writer and creator, show runner and executive producer of the network drama Kung Fu. Yang and Kim met virtually for a wide-ranging discussion that covered their respective experiences at Exeter, the evolution of Asian representation in film and TV and the impact of Yang’s inspiring new role.

What was it like arriving at Exeter for the first time?

Janet Yang: I grew up in a Jewish neighborhood on Long Island and we were the only Asian family in the area. But my mother worked at the United Nations so I was used to visiting her at work and seeing people from all over the world. New York City is an incredible microcosm, with a mix of everything. To arrive at Exeter and see Asians, Blacks, people from all over the world and with different levels of socioeconomic class … that felt so good.

Christina Kim: I was born in Chicago in a very white suburb. When I was 10, I moved to Korea. That was a bit of a culture shock. [When I] came to Exeter as a lower, I knew nothing about boarding school life. Like you said, Janet, it felt like a perfect microcosm of what the world should be. Educationwise, too — I look back and wish I could do it again and really appreciate it.

Yang: We’re sometimes too immature to truly appreciate what we’re given. Later in life you realize, I’ll probably never be in such a diverse, inclusive group of people again. Those words didn’t exist back then, by the way. One didn’t talk about diversity and inclusion, it just was.

Did Exeter help prepare you for your roles in Hollywood?

Kim: My first job as a staff writer was on Lost … and it was exactly the Harkness table system. Ten to 12 people sitting around a table and just throwing out ideas, and the best ideas win and get to go up on the board. I remember sitting there thinking: This is literally Exeter, but in a professional setting. It felt strangely comforting because it wasn’t new to me.

Yang: I can relate that to sitting in boardrooms now, or when pitching to an executive and sitting around a big table. That model repeats itself again and again in our lives.

The Joy Luck Club made history as one of the first major Hollywood films to feature a mostly Asian cast. Could you both talk about the changes you’ve seen during your careers in terms of Asian representation in film and TV?

Yang: [Before The Joy Luck Club] I was so new to Hollywood, I didn’t know what I didn’t know. I kept thinking, I want to do something with Asians; I didn’t quite know how near impossible it was. That kind of naiveté was helpful because if I had been a seasoned executive, I would’ve instantly put the notion out of my mind. I don’t think [the movie] would’ve been made today in the same way. The studios took more chances, and … they don’t do that anymore. A movie with no stars, a third of it in a non-English language, a lot of flashbacks. All of it broke so many rules.

Kim: That is still one of my favorite movies. It’s an incredible accomplishment, and it influenced so many people.

Yang: Thank you. My parents were extras in the movie, so they could finally brag about what I did, as opposed to being embarrassed. [laughs]

Kim: It’s interesting to see how much the business has changed even in my shortish career. When I first started, I was one of two women in the writers’ room, and it was very racist. Things were said that would be on the cover of Variety now, with people getting canceled, but it was just the way it was. In retrospect, that first experience helped me, because it made me figure out what kind of person and writer I wanted to be. [When] I started developing my own material, I wrote a Korean American soapy drama and sold it to NBC. It ultimately didn’t get made … but the studio really liked it and said: “We have Kung Fu the property. You’re Asian, what do you think?” I was like — I’m not Chinese, I’m Korean.

Yang: [laughs] Close enough.

Kim: But I thought, if there’s an opportunity to make this and I’m the person that’s closest to being able to make it, then I should try. I did a lot of research to make sure I got the details right. When we sold the show [in 2020], the executives told us this was the first network drama with a predominantly Asian cast. That was just crazy to think about, and it’s something I’m really proud of. I remember sitting at Warner Bros., and the head of casting said to me, “I’ve never seen the hallway look like this.” The entire hallway was full of Asian American actors. After starting on a show where I was the minority, and felt ostracized many times, to create an environment where that’s not the case makes me happy.

Yang: I think we both feel that responsibility to keep pushing the envelope because we know that’s what it takes. We still have to prove ourselves.

Speaking of pushing the envelope, what are you hoping to do as president of the Academy of Motion Picture Arts and Sciences to further its evolution?

Yang: I got more involved with the academy after the 2016 Oscars and #OscarsSoWhite. I remember the conversations we were having as an industry that year, and I remember seeing a skit early in the 2016 show that played into Asian sterotypes — and honestly, that was a punch to the gut for us as a community.

I’d been a member for over 20 years. I got my DVDs and I voted. That was the full extent of my involvement, but I was moved to do something. I signed a group letter with some very high-profile people, like Ang Lee, Sandra Oh and George Takei. [The academy] did listen, and they had already started to think about diversifying membership. They started the A2020 committee [which set the goal of doubling the number of women and people of color in the academy’s membership] and put me on it. One thing led to another, and I just got more and more involved.

I think the prior leaders, and certainly [current academy CEO] Bill Kramer and I, feel like we have to be ahead of the curve. We’re talking to all the studios and distribution companies and trying to get everyone aligned. How do we create guidelines? How do we find diverse members? How do we keep encouraging people to think about this? There are so many efforts on so many levels that are happening as we speak.

Kim: I just wanted to say thank you, Janet, because taking on these roles is a job on top of a job. I know that it’s coming from a place of real passion. Because of you, there are people like me, and a show on TV like Kung Fu with an almost entirely Asian cast. Thank you for being a trailblazer. You’re inspiring me to get more involved.

Yang: Thank you, Christina. I’ve admired you from afar, so we’re mutually fan girling.

Editor’s Note: This article first appeared in the winter 2023 issue of The Exeter Bulletin.

Borges and I

Francesca Piana, who taught Spanish at the Academy from 1976 through 1986, was instrumental in arranging Borges’ visit. The following is her narrative memory of that time. Originally written in Spanish, this excerpt was translated by Piana’s former student Molly King ’82 and edited for space. Read the full Spanish text.

In the autumn of 1982, a colleague in the English Department of Phillips Exeter Academy, where I was an instructor in Spanish, told me that her department wanted to invite Jorge Luis Borges to spend a week at our institution. She wondered if I would be able to make such a miracle happen. 

As it turned out, it would take a miracle. Borges, then in his early 80s and blind since the age of 50, had stopped answering his mail long ago. Those seeking access to him had to do it through his inner circle. And he was not lacking for invitations. It was only with the help of the Center for Latin American and Iberian Studies at Harvard that I managed to get PEA on his schedule. 

In the months leading up to his visit, whenever I spoke of the project with colleagues from other academic institutions, I was warned of how exacting Borges could be as a guest. I learned that he was known to abandon the podium midspeech if he didn’t like an “impertinent” question or grew tired of others’ interpretations of his work. Not to mention the quality of meals or lodgings that were required to suit his needs. 

I was quite familiar with Borges’ masterly writing. He was a favorite author in our Spanish literature classes, in spite of the level of difficulty his work posed for students. However, I knew little about the man, thus I dedicated myself to reading all I could find about him. I decided to prepare for his arrival as thoroughly as possible, in the hopes that I could avoid having one of his temper tantrums ruin the visit. 

Spring days in New England can be dark and rainy. It was one such day in April that I was to meet and escort Borges to Exeter. The trip from Connecticut (where Borges had just participated in a colloquium in his honor) to New Hampshire would be a few hours drive. At 9:00 in the morning, I walked into a library where Borges, seated alone, with his ubiquitous cane and his blind gaze lost in the distance, awaited me. He sensed my steps and lifted his head in my direction. I introduced myself. Almost immediately, a young woman entered the hall. Her name was María Kodama and she was Borges’ companion. 

Once in the car, we began to make our way down the rainy highway. Borges took an interest in my background. I told him of my youth in Ecuador and my upbringing among beautiful Baroque churches in Quito. I don’t know how it began, but for a long while we sang childhood nursery rhymes, echoes of our shared Latin American youth. By the time we reached Concord, Massachusetts, Borges and I had established an unexpected camaraderie. 

Having learned that Borges was a great admirer of 19th-century New England writers, I had called the National Park Service to find out the hours of Louisa May Alcott’s house and museum. I thought we could stop there on our trip north so that Borges could rest. The person who answered the phone informed me that the museum would be closed the day we hoped to visit. “What a shame!” I said. “I wanted to bring a well-known Argentine author who will be visiting the country.” 

“You don’t mean Borges, do you?” she replied with astonishment.  “Why, yes!” I answered.  “For him, the museum is open any time, any day.”

It was still raining when we entered the home of the author of Little Women. There, by the warmth of a wood fire, we were greeted with steaming cups of hot tea and a freshly baked apple pie. An enormous park ranger, with little literary knowledge but a keen awareness of the importance of the guest, offered Borges her arm saying she was expert in guiding the blind. Borges enjoyed the special privilege they granted him to touch the spines of the books in the Alcott library. Before leaving, the park ranger took off her large hat, put it on Borges’ head, stood by his side and asked me to take their photo. 

It was the logical choice to host Borges at the stately Exeter Inn on the edge of campus. I watched as Borges entered his room and touched the walls to familiarize himself with his new surroundings. I surmised that this would make him less dependent on others. 

The students had prepared for Borges’ visit by reading some of his work in several languages. Those who didn’t study Spanish read translations of his work in French, English, German, Russian or Italian. The night of his arrival I asked Borges to speak to the general assembly of students. “What do you want me to talk about?” he asked.  “Whatever you’d like,” I answered. 

“Reading is the shortest and safest way to achieve happiness.”
Jorge Luis Borges

Flanked by the head of school, [Principal Stephen Kurtz] on one side, and me on the other, Borges sat in the middle of a long table on the stage of the Assembly Hall. With a voice weakened by the years and in British-inflected English, he spoke briefly to the student body. His message was simple: Read. “Reading is the shortest and safest way to achieve happiness,” he said.

When he stopped speaking, the assembly erupted into deafening applause that lasted longer than Borges had spoken. As we listened to the enthusiastic reception, his hand found mine at the edge of the table. “Did I do well?” he asked me, with unexpected humility. “You are hearing the answer,” I replied.

In the days that followed, the sight of Borges walking the paths of campus beside Kodama became so familiar that it felt as if he had always been there with us. It was then that I realized that the irascible Borges, prone to fits of temper, of whom I had heard so much, had lost his sharp edges. He had become a kind old man who basked in the glow of the attention he received. Borges went in and out of classrooms, enthralling the students.

In the afternoons, Borges, Kodama and I would gather for tea. These were delightful moments of conversation. When I wanted to talk about the authors of the Latin American Boom, he told me he hadn’t read them. Snobbery? By contrast, he cited from memory books, texts, pages of the classics he grew up studying, as though he were seeing them. What an ironic twist of fate, to take away the sight of a man whose very life was reading.

I understood why many critics had said that Borges was not a Latin American writer — he was much more a product of European culture in general (and English in particular), rather than the newer strain germinated in Latin America. It was not only his hermetic style that separated him from his contemporaries, but also the unexpected narrative twists and turns that produced such unusual results in his work. His inspiration was not based on immediate reality, nor did he practice magic realism, a style prevalent among other Latin American writers of the time. In the vault of his library in Buenos Aires, he extracted and honed the gems of his stories amid the silent company of books. Thus, he made us understand that the words of El Quijote by Pierre Menard, though they may seem identical to those of Cervantes, are not, because Menard wrote in the 20th century and Cervantes at the beginning of the 17th; that it would take Funes the memorious another lifetime to remember all that he had experienced in the first; or that Judas, the traitor, could be Jesus Christ himself, since his betrayal was essential to Christ’s act of redemption.

Borges was not interested in the present, or in politics, the state of the world or contemporary society. He lived in an elitist past that accepted without question the division of classes, as well as racial, social and economic differences. If Borges had an Achilles’ heel, it was an absurdly naive view of the world. Perhaps this is what allowed him to accept a decoration from the Chilean dictator Augusto Pinochet, and, according to some, cost him the Nobel Prize for Literature. The night before his departure, Borges, Kodama, Peter Greer (a colleague from the English Department) and I dined at my home. The after-dinner conversation lasted into the wee hours of the morning. We discussed books. Borges asked for copies of particular books to confirm his quotes or to read a passage.

The next morning, when I went into my dining room, I found it scattered with books, some closed, some opened, silent witnesses all to those last hours with Borges.

Editor’s Note: This article first appeared in the winter 2023 issue of The Exeter Bulletin.