“Composing is a messy process,” Schultz says. “You don’t know how it’s going to sound until it comes to life.” But, he jokes, Exeter students always appreciate a deadline. “Now there are 25 new pieces of music in the world that weren’t there before, which is beautiful,” he adds.
More important, the competition redefines musical opportunities at Exeter, welcoming students who create music but may not participate in traditional voice and instrument classes, lessons and group performance activities within the Department of Music. “This competition brings student composition into the mainstream of the Music Department,” says Kristofer Johnson, Michael V. Forrestal ’45 Chair for Music, “and places it on stage, where student work will increasingly be centered. It enables them to take risks.”
Exeter’s rich musical tradition is rooted in classical voice and performance. “Appropriate, when one considers that Mozart was walking the earth when the Academy was founded,” Schultz says. There are numerous opportunities for students to make music, including orchestras, jazz bands, a cappella groups and choirs, as well as rock and multi-me-dia performance clubs. One-quarter of the student body engaged in at least one musical ensemble this academic year. Musical alumni include a Pulitzer-Prize winning composer, Tony and Grammy-Award-winning singer-songwriters, and top-40 musicians. Johnson notes that many students feel that they’ve found a creative home in the Department of Music.
Now the department is intention-ally broadening its musical offerings to welcome even more students. Schultz, a composer and musician whose work includes acoustic and electronic music, joined the faculty in 2020. A year later, Music Instructor Marcus Rabb joined the faculty as director of bands and jazz, expanding the department’s jazz and contemporary music options. Rab will take on the role of chair of the Department of Music in the fall. “We’ve seen a huge increase in student interest and performance level of groups like the Exeter Association of Rock and others,” Johnson says. The Pittman Family Student Composition Competition is yet another opportunity to showcase student talent.



Fred enjoyed singing, a talent he furthered as a member of the Yale Glee Club as well as the Whiffenpoofs, the university’s a cappella group. He and his wife, Joan, also performed with the Yale Alumni Chorus. In his later years, Fred was an enthusiastic supporter of Charleston Stage and appeared in such productions as My Fair Lady and Of Mice and Men.
By 8:30 p.m., HQ is spread thin. The other six members of HQ are giving hint requests in various classrooms, so I am monitoring answer submissions solo in HQ. For each submission, I call to inform the team whether the answer is correct. Confirming a correct answer often results in a delightfully deafening cheer from the team.
ODELL: Initially, I was intimidated by [coach Moore]. It was clear she was incredibly smart, loved teaching and loved getting up early to speak through her bullhorn on the river. As I got to know her better, I realized we were similar in a lot of ways. We’re both direct, we both love the life of the mind, and we see teaching as an intellectual pursuit. I came to the Exeter Humanities Institute when I started teaching in 2013, and she was one of my instructors. I used to call her when I was teaching English, and she always had a deeply thought-out answer that showed her abiding passion for what she does as a teacher.
she won a Merrill Presidential Scholarship that allowed her to invite her most influential high school teacher to campus for the ceremony. Corner-Dolloff immediately thought of Matlack. Today, she is senior policy adviser for climate and agriculture in USAID’s Bureau for Resilience and Food Security.