Phillips Exeter Academy

Art & Agency

Rufi Thorpe is on a roll. Her 2014 debut novel, The Girls from Corona Del Mar, was longlisted for the International Dylan Thomas Prize and the Flaherty-Dunnan First Novel Prize. Her 2016 novel, Dear Fang, With Love, was followed in 2020 by The Knockout Queen, a finalist for the PEN/Faulkner Award. Her latest, Margo’s Got Money Troubles, seems poised to be a summer hit, popping up on must-read lists as well as generating additional buzz: an Apple TV series is in the works with Hollywood stars David E. Kelley, Nicole Kidman, and Elle and Dakota Fanning attached.

Thorpe’s new novel — about a young single mother, Margo, trying to make ends meet — is a thoroughly engaging story about the transformative power of love, art and humor. It’s also jam-packed with wacky characters and charming scenarios, including Margo’s former pro wrestling champion father, Jinx; collegial cosplay sex workers; and a gentle love affair conducted through writing. Canny references to cultural touchstones such as writers Neal Stephenson and William Gibson, viral social media and Lady and the Tramp keep the narrative fun, funny and flowing.

We caught up with Thorpe amid the flurry of prepublication commitments.

Who are you addressing in the book’s dedication, “For you”?

The reader. We’re all seeking human connection, and novels offer that. Growing up, books were where I found a place of feeling understood, feeling like there were other humans like me; loneliness was eased by communing with these minds of people that I had never met. That connection has been such a profoundly positive one in my own life, so this is my ode to those spaces.

You’re really good at eliciting human imperfections with empathy across an eclectic range of characters. Is that intentional?

Part of the reason I became a novelist is because I’m wildly in love with people. A subject I come back to over and over again is the impossibility of judgment: What do you do when people do bad things, especially people that you love? I return to that, as well as recognizing the inadequacy or ineffectiveness of punishment as a response. I think it’s combined with a sensibility that life either strikes you as funny or tragic, and it strikes me as funny. And people, even in the ways that they’re flawed, strike me as beautiful. I’m interested in moral grayness, that people are not all bad or all good. As a writer, it interests me to try and get that right.

Why did you choose to switch between the first person and third person, sometimes talking directly to the reader?

I’ve always written first-person but wanted to be the kind of writer who wrote in third person — it just seemed so elegant. At the beginning of this project, I thought this was going to be the book where I finally figured out third person. Then I realized, maybe this is the book where I investigate through the third and first person, and not one where I try for seamless illusion.

That technique almost becomes a narrative in itself.

I’m fascinated with narrative, and so much of this book is about creating your own narrative and persona. For her video work, Margo is creating her character, Hungry Ghost; Jinx has created his wrestling persona; and I, Rufi Thorpe, am putting on the Margo mask by writing in first person, engaging in that artifice creation. One of my ways into understanding character is impersonation. Both of my parents were actors and I did a lot of theater growing up; I did theater at Exeter.

Were you cast or crew at Exeter?

I worked in theater tech, building sets, and we were given so much freedom and autonomy. That’s where I learned to use power tools, which was a super-empowering skill. I always felt more comfortable with a circular saw than any boyfriend I ever had. I still apply that by refinishing furniture.

What are some other Exeter memories?

Exeter was really formative for me. I didn’t graduate — I wanted to do advanced English classes as an upper but wasn’t allowed, so I applied to college early. I did have wonderful English teachers, Nita Pettigrew and Rex McGuinn. They, and theater, were my happiest parts of Exeter. Also I took Russian with Inna Sysevich, the most wonderful, warm, kind, earthy woman I’ve ever known. I chose Russian out of sheer perversity. I liked the idea of learning another alphabet. Because of that, I’ve read a lot of Russian literature and that has had a lasting impact on me. Going to a place like Exeter, you’re thrust into adulthood: You’re navigating airports and layovers at 14, and it makes you feel like a citizen of the world. You’re managing a complex schedule, with lots of homework, and you have to figure all that out. That skill set me up to be successful in college, graduate school and the rest of my life.

Who are your influences as a writer?

A huge thing for me was realizing that I was a comedic writer. John Irving, another Exonian, was a big part of that for me, in terms of understanding the way that humor can act as a leavening agent to allow you to talk about really dark things in a way that’s tolerable. Also, the way he allows his obsessions to recur in different forms throughout his novels was a model. It can feel, after your first novel, like you have to invent a whole new self to write another book, like you’re supposed to do something completely different. But really, Irving is writing the same book over and over. He gave me permission to do that, to realize that it was okay for thematic obsessions to recur, as long as I was making them fresh and interesting and exploring new aspects or new combinations of those elements.

What do you think it takes to become a successful writer?

The most important thing is stubbornness. I sometimes call it “perversity of spirit.” The world is going to tell you, “No,” over and over. One of my M.F.A. professors told me I was never going to be a writer, that I didn’t have the talent. She offered to brainstorm other career options with me. I think she meant well, but I was devastated. I went home and cried and cried and cried. And then I thought: “Well, what am I going to do? Give up my life’s dream because this lady told me to? Obviously not!” I realized that I loved writing enough that I was willing to be the worst novelist. If there was even a hope that there was a place for me at that table, I would gladly be the worst one.

I read a lot of novels. You’re definitely not the worst one.

Well, the questions stopped being “Am I special? Am I talented? Am I brilliant?” That freed me artistically and psychologically. It takes time to get better at something; you’re never going to be good the first time you try. But novels are long — it takes a long time to get better at them. I think being stubborn and also not being super attached to being the best, that’s what ultimately will give you success.

Biohacks to learning anything faster

The world is now, more than ever, pulsating with information. Knowledge, one of the most powerful forms of currency, is free for the taking. However, the skill sets we need and the productive output required of us is also nothing like that of the previous generations. To keep up with the masses and even excel, we need to learn faster than ever before. The ability to learn faster is a mystery that many have attempted to crack. As we stand on the brink of a new era, the fusion of biology and technology gives great opportunities for accelerated acquisition of knowledge.

In order to optimize learning, an understanding of what learning is through a neurobiological lens would provide great insight. Any form of learning comes from the brain, more specifically, the strengthening or weakening of electrochemical signals between our neurons (a type of brain cell). The connections between neurons are known as synapses. And the changes in the strength of electrochemical signals between synapses is called synaptic plasticity.

Synaptic plasticity is the basis of learning and memory. Synaptic plasticity is a dynamic and adaptive process that allows the neural circuits in the brain to modify their activity in response to experience. When you are learning a new skill such as serving a volleyball, the neural pathways in your brain will fire and the shape of the neurons in your brain will change, allowing you to strengthen the signals sent to your brain when doing the right movement, and repetitions of the right movements eventually lead you to serve the ball consistently as there is a strong connection between the neurons that fire when you serve a ball.

Therefore, if we want to increase our learning abilities and learn faster, we should try to trigger a more plastic and malleable brain that will be willing to change its pathways in order to learn a new skill. Plasticity has been proven to be controlled by several chemicals in our brains, namely acetylcholine, epinephrine and dopamine. When those chemicals are released, the brain marks the event as “important” and “to edit” while most of the changes to the plasticity and shape of the connection between neurons happens during sleep. So how do we induce the release of acetylcholine, epinephrine and dopamine in large amounts while learning? Interestingly, the only condition needed to allow the brain to enter a plastic state is to make errors. Error provides a cue for frontal cortex networks to release those important learning chemicals. The more mistakes you make, the larger the dopamine release will be when you eventually do it right, hence making the brain more plastic and receptive for change and more prone to remember the right action/movement/answer.

Have you ever felt frustration every time you are struggling to learn a form of new knowledge but not getting it right consistently? Well, this happens due to the release of those important learning chemicals, which change the shape and plasticity of your brain. But the brain does not want to change its shape, hence the brain processes this large surge of chemicals as frustration. Every time you are failing to learn something and feeling frustrated, you are releasing chemicals that will make you succeed in learning this skill. In some ways, errors frame the brain to learn and absorb more information when you end up getting it right. The most efficient way to learn a skill fast is to maximize the amount of repetitions and fail as much as possible within a time period. Experiments have found that the brain will end up learning, figuring out and getting closer to the right answer if you have the intent of getting it right.

Another powerful tool is to react to this kind of frustration with happiness and pleasure. When we smile in the face of defeat, stress or struggle, we trick the brain to release dopamine (the neurotransmitter that guides pleasure and motivation but also helps in synaptic plasticity). Hence, we condition our brains to release dopamine when we are in the face of struggle and challenge. Next time you end up facing a challenge or having to learn something new, your brain will naturally release more dopamine and allow your brain to learn faster due to increased plasticity.

A third extremely important factor in learning is to allow your brain to absorb the information. After performing any intensive learning, whether it is studying for a test or learning to execute a backflip, taking a break of five to 10 minutes without engaging your brain with another form of stimulus allows the sequence of information learned to be replayed by your brain, which then selects the series of events in which there is a high release of neurotransmitters. The things you did well repeat and the things you did wrong get cut off, allowing you to acquire and process the information learned faster.

A fast-paced world, a fast-paced school and a fast-paced lifestyle push us to learn everything faster and to execute tasks at high efficiency. Fortunately, advances in our understanding of neuroscience allow us to develop behavioral ways to learn and absorb knowledge faster than the average person. Sometimes the difference between two very competent candidates with equal willingness to work is “talent”— an intangible that makes someone a faster learner and better performer. Well, why not try out these newly acquired “talents” of yours?

Goodbye with gratitude

Exeter Deconstructed: The Shakespeare Folios

With nearly 400,000 books in its collection, the Class of 1945 Library boasts a trove of literary treasures. But some books stand out.

The library is the grateful steward of two folios of William Shakespeare’s printed works: the second, which dates to 1632, and the fourth, which was published in 1685.

“The story of Shakespeare’s remarkable rise to global prominence begins with his promotion in the 17th century in a series of large, handsome folio volumes,” writes Lara Bovilsky, associate professor of English at the University of Oregon. “‘Folio’ was the name of the largest books in this period.  Due to their size, cost and careful printing, folios were the 17th century’s most prestigious format. They marked their author and contents as important.”

The second folio was printed 16 years after Shakespeare’s death. Of the roughly 1,000 copies of the second folio printed, about 200 are still known to exist. Exeter’s edition was a gift of the Rev. Rip Noble ’58, who told The Exeter Bulletin in 2008 that he was inspired to make his generous donation in gratitude to his Academy English teachers “who taught me to love and respect the English language.”

The folio had belonged to Noble’s grandmother. “My grandmother let me pick a book from her collection for every birthday and graduation,” Noble explained. Following Exeter, he went on to Princeton and to Union Theological Seminary. “I picked it when I graduated from seminary. I was thinking of Exeter and those teachers when I selected it.”

Editor’s note: This pieces was first published in the Summer 2024 issue of The Exeter Bulletin.

Teri and Duane Silvestri: Serving Exeter with pride

Lou who? How Kahn came to design the Academy library

Exeter Deconstructed: Eno bricks

Four alumni named to Trustees

Exeter leadership welcomes new members; terms commence in July.

Four alumni have recently joined Exeter’s Trustees, adding a wealth of professional experience and shared dedication to the Academy and its mission.

Sam Brown ’92, Gene Lynch ’79,  Genisha Saverimuthu ’02 and Rhoda Tamakloe ’01 officially begin their terms July 1.

Exeter is blessed to have a dedicated body of alumni volunteers, with diverse and expert backgrounds, to oversee the administration of the school and the management of its financial and physical resources. You can see all of our Trustees here.

Below please find below a short bio of each of our newest volunteers:

Independent study stokes seniors’ passion projects

Climate Action Day: Exeter gets hands dirty for planet

Day-long program turns 10, reminds Exonians about natural world and their place in it.

A rescue mission is underway in the Academy woods. Three hundred American chestnut saplings, dwarfs among towering pines and oaks, are fighting for a footing in our forest, and Exeter students are here for it.

An Exonian work party marched into the woods Monday to check on the mini chestnuts as one of 19 workshops and presentations comprising Exeter’s Climate Action Day. Now in its 10th year, the school-wide, day-long event is devoted to service projects and improving awareness of challenges to the environment, great and small. Workshops have ranged from environmental law to oyster farming to sustainable business practices, the program an important tenet of the school’s sustainability and climate action plan, “Building From Strength Toward a Carbon Zero Future,” published last spring.

Monday’s observance of Climate Action Day coincided with Earth Day, the global inspiration for what the Academy promotes locally. While planting saplings or turning over a community garden for spring seeding doesn’t track directly to disappearing ice caps, the underlying message is that human impact on our natural world has consequences. The institution is committed to ensuring students understand the principles of sustainability and the impacts of and potential solutions to climate change.

Keynote presenter Rev. Dr. Abby Mohaupt led an interactive workshop in Thompson Gym, challenging audience members to think about their purpose in life and how their actions affect the world around them, including the natural world. 

“What is nature?” posed the director of the Garrett Collective, prompting students to draw pictures of their interpretations of nature before asking, “Now, where do you fit in?”

Mohaupt admitted the task of fighting climate change is a tall one but referenced her work as a community organizer when urging students to start with small change and look inward for inspiration. “When we dig into our values we can make a difference in the world.”

‘A real and present danger’

The threat of nuclear war is “not some 1980s problem we read about in history books — it’s a real and present danger,” Dr. Ira Helfand ’67 told students in a workshop held in the Elting Room titled “Nuclear War, the Ultimate Climate Catastrophe.”

Helfand, a physician, is a member of the International Steering Group of the International Campaign to Abolish Nuclear Weapons, a recipient of the 2017 Nobel Peace Prize for its work. As an ICAN representative, he has spoken to global audiences about the humanitarian impacts of nuclear war, including key United Nations assemblies that led to the successful negotiation of the Treaty on the Prohibition of Nuclear Weapons in 2017. Helfand has served as an Exeter Trustee since 2020 and advised the school on the creation of its climate action plan.

Helfand spoke plainly to Exeter students about the devastation that would follow a potential nuclear attack, including massive, abrupt climate disruption, worldwide famine and the deaths of billions of people worldwide. He emphasized that the threat posed by nuclear war is higher than at previous times in history, thanks to a number of volatile global flashpoints including Russia’s war in Ukraine and tensions in the Middle East and South Asia. 

In addition, Helfand said, the climate crisis means that the world “isn’t getting safer, it’s getting more dangerous.” With many countries struggling to support their populations due to dwindling natural resources, more and more people are being displaced from their homes. This rising tide of climate-related migration increases the risk of conflict. 

Despite such a sobering message, Helfand remained hopeful about the possibility of avoiding nuclear war, if everyone — especially younger generations — do their part. He urged the students in the audience to begin by finding small, concrete ways to educate themselves further and increase the political will behind nuclear disarmament. “You had nothing to do with this problem … but the fact of the matter is that it’s your responsibility, too,” Helfand said. “You should really appreciate the power you have to influence policy.”

The little chestnut that could

The American chestnut, the “Redwood of the East,” once dominated forests from Maine to the Mississippi River. “Numbering nearly four billion, the tree was among the largest, tallest and fastest-growing in these forests,” according to the American Chestnut Foundation. “For thousands of years, the original inhabitants of the Appalachians coexisted with the American chestnut. The nuts provided an abundant food source, and Indigenous peoples responded in kind by managing the landscape to improve habitat for chestnuts.”

Charles Moreno, a New Hampshire forester who works with Exeter to help manage the 800-plus acre woodlands, explained to students Monday that symbiosis was upended in 1904 when a blight was discovered on chestnuts in a Bronx botanical garden. Introduced by the planting of a non-native Chinese variation of the chestnut, the blight devastated the native species. By 1950, the American chestnut was nearly gone.

Forester Charles Moreno speaks to Exeter students about the efforts to reintroduce the American chestnut tree decimated by blight.

Today, science has helped re-establish it through a hybrid seed — B3F3 — with genetic resistance established through multi-generations of cross-pollination in the lab. Three hundred of the B3F3 seedlings were donated to Exeter last year, and on Climate Action Day last year, students joined Moreno to plant them in designated places in the woodlands southeast of campus.

Monday’s mission: Check on their progress. While 300 soaring American chestnuts won’t result, Moreno is optimistic that many in this battalion of saplings will prevail. Students inspected the hundreds of plastic tubes that protect the tiny saplings, making sure winter and hungry voles haven’t wrought too much damage. The saplings that thrive will grow 4 to 7 feet per year. By the time the class of 2044 graduates, these trees could each be producing as much as 100 pounds of chestnuts annually.

One man’s trash …

In the workshop “Recycle + Reuse + Repurpose,” visiting artist Ryan McGinness gave two groups of students a glimpse into how he uses upcycled and sustainable materials in his artmaking process. From worn-out squeegees used to spread paint in the screenprinting process, to thrifted T-shirts printed with new designs, to saving old paint containers for future sculptures, McGinness said he is constantly finding ways to rework “residue and detritus from the studio” into new creations.

McGinness, a New York City-based artist whose work draws on the surf and skate culture of his native Virginia Beach, is known for paintings, screenprints and installations that incorporate corporate logos, signage and contemporary iconography. His work is held in the Museum of Modern Art in New York, The Museum of Contemporary Art in San Diego and the Charles Saatchi Collection, among other museums and art collections.

Aided by Art Department faculty members, McGinness guided students through the screenprinting process, helping them create a collaborative artwork on repurposed screens, using old ink, spatulas and squeegees. The project was inspired by McGinness’ own recycled installation, “Screen Combine #47.” After an initial demonstration, the 12 students in the afternoon workshop donned aprons and broke into pairs to build on the work of their morning counterparts, creating a rich, layered tapestry with a vibrant message of sustainability.

In addition to his Climate Action Day workshops, McGinness was to spend a week on campus thanks to the generosity of the Michael Clark Rockefeller ’56 Visiting Artists Fund. He will visit various art classes, and deliver a slide talk on Thursday, Apr. 25 at 8 p.m. in the Frederick R. Mayer Art Center.

Meeting people where they are

Speaking at an afternoon workshop in Assembly Hall, Justin Worland, a senior correspondent at TIMEdiscussed his work as a journalist covering climate change. 

In his early days on the climate beat, Worland noticed a hole in the storytelling surrounding the climate crisis. He realized most of the reporting was too scientific and not accessible to the average reader. Worland focused on telling the stories of commodities, like coffee, and what the effects of climate change can do to something tangible and beloved. “You have to meet people where they are,” he said. 

As a high-schooler, Worland’s interest, and that of his peers, in the topic climate change was admittedly low. Looking out at the Assembly Hall audience, Worland received a nearly unanimous response when asking, “How many of you are concerned about climate change?” He followed up by asking how many intend to pursue a life in climate advocacy, receiving a much more muted reaction. Worland championed former presidential candidate Tom Steyer’s ’75 message that people, regardless of their occupation, should strive to be “climate people.”

“One of the most remarkable things I’ve noticed in the course of the last decade is how much people are starting to think about climate beyond just the [traditional] climate people, how people are starting to incorporate findings that work across fields, even if isn’t their full-time job.”